"I think the biggest challenge was finding the right combination of Alfred Hitchcock and Anthony Hopkins," says Academy Award-winning makeup artist Howard Berger. "We knew from the get-go, we didn't want to completely cover and disguise Tony." Berger did six makeup tests with Hopkins before shooting, experimenting with jowls, dentures, lip pieces and "this piece that kind of softened his own wrinkles at the ridge of his nose." As Hopkins became more comfortable with the character, "slowly we started to strip things away."
The end result, Berger says, is a "portrait" of Hitchcock on Hopkins. The ultimate transformation took up to two hours a day, as Berger carefully applied prosthetic jowl and neck pieces to Hopkins, who also donned a lightweight paunchy bodysuit and brown contact lenses. To save time, Hopkins shaved a patch of hair at the back of his head to replicate the director's hair pattern.
On set, the extent to which Hopkins channeled Hitch in his crisp black suit was eerie to behold.
(Copyright © 2012 USA TODAY)